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The House of Ripples

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Places and Buildings

10 October 2018

Martina Yeo and Yeo Kang Shua piece together historical details of the little-known River House in Clarke Quay and discover that it was once a den for illicit triad activity.

In 1993, River House was restored – sadly with some of its original Teochew characteristics lost in the process – and rented out as a commercial space. Courtesy of Urban Redevelopment Authority.

In 1993, River House was restored – sadly with some of its original Teochew characteristics lost in the process – and rented out as a commercial space. Courtesy of Urban Redevelopment Authority.

Portrait of Tan Yeok Nee (陈旭年), a wealthy Teochew gambier and pepper merchant, 1890. Until very recently River House was believed to have been built by Tan in the 1880s. At around the same period, Tan also ordered the construction of another elaborate Chinese-style mansion along present-day Clemenceau Avenue, now a national monument known as the House of Tan Yeok Nee. Boden-Kloss Collection, courtesy of National Archives of Singapore.

Portrait of Tan Yeok Nee (陈旭年), a wealthy Teochew gambier and pepper merchant, 1890. Until very recently River House was believed to have been built by Tan in the 1880s. At around the same period, Tan also ordered the construction of another elaborate Chinese-style mansion along present-day Clemenceau Avenue, now a national monument known as the House of Tan Yeok Nee. Boden-Kloss Collection, courtesy of National Archives of Singapore.

Shady Beginnings

A “Secret Society” House

Aerial view of Boat Quay and Clarke Quay before the area was rejuvenated. River House is circled in white. G.P. Reichelt Collection, courtesy of National Archives of Singapore.

Aerial view of Boat Quay and Clarke Quay before the area was rejuvenated. River House is circled in white. G.P. Reichelt Collection, courtesy of National Archives of Singapore.

Teochew Influences

River House has a roof truss system in the tailiang style (抬梁式), which is made up of “successive tiers of beams and struts in a transverse direction”. This photo shows three cantilever beams on the front elevation of the building: one beam on the first storey and two on the second storey. These beams are known as jitou (屐头), and their ends are carved in a highly abstract chihu (螭虎) motif. The manner in which the beams are cantilevered is unique to Teochew architecture. Courtesy of Yeo Kang Shua.

River House has a roof truss system in the tailiang style (抬梁式), which is made up of “successive tiers of beams and struts in a transverse direction”. This photo shows three cantilever beams on the front elevation of the building: one beam on the first storey and two on the second storey. These beams are known as jitou (屐头), and their ends are carved in a highly abstract chihu (螭虎) motif. The manner in which the beams are cantilevered is unique to Teochew architecture. Courtesy of Yeo Kang Shua.

Close-up photos showing the door seal (menzanyin; 门簪印) and its eyelet in the dragon-fish motif with remaining bits of string still tied to it, and one of a pair of incense stick holders or chaxiangkong (插香孔) in the flower-and-vase motif flanking the entrance. Traces of the green pigment used specifically in Teochew architecture can still be seen on these structures today. Courtesy of Yeo Kang Shua.

Close-up photos showing the door seal (menzanyin; 门簪印) and its eyelet in the dragon-fish motif with remaining bits of string still tied to it, and one of a pair of incense stick holders or chaxiangkong (插香孔) in the flower-and-vase motif flanking the entrance. Traces of the green pigment used specifically in Teochew architecture can still be seen on these structures today. Courtesy of Yeo Kang Shua.

A Gambier Shed

A 1980s photo showing Tan Lock Shuan’s gambier shed built in front of River House. Tan was the kangchu (港主) or headman of Sungai Machap, a pepper and gambier plantation in Johor. The shed was demolished in the early 1990s when Clarke Quay was conserved as a heritage area. Courtesy of Urban Redevelopment Authority.

A 1980s photo showing Tan Lock Shuan’s gambier shed built in front of River House. Tan was the kangchu (港主) or headman of Sungai Machap, a pepper and gambier plantation in Johor. The shed was demolished in the early 1990s when Clarke Quay was conserved as a heritage area. Courtesy of Urban Redevelopment Authority.

A School Campus

Graduation photograph of the fifth Tuan Mong School cohort, taken in June 1917, at the recessed entranceway of River House. The panels of pargetting works (decorative plastering) known as huisu (灰塑) on the walls of the entranceway were originally moulded from oyster-shell-lime and coloured using fresco painting. The panels had been whitewashed by the time this photo was taken. The steps visible in the photos no longer exist today after the ground in front was raised during restoration in 1993. Image reproduced from Tuan Mong Collection: Photographs, 1914-1960. (Accession no.: B18977485E).

Graduation photograph of the fifth Tuan Mong School cohort, taken in June 1917, at the recessed entranceway of River House. The panels of pargetting works (decorative plastering) known as huisu (灰塑) on the walls of the entranceway were originally moulded from oyster-shell-lime and coloured using fresco painting. The panels had been whitewashed by the time this photo was taken. The steps visible in the photos no longer exist today after the ground in front was raised during restoration in 1993. Image reproduced from Tuan Mong Collection: Photographs, 1914-1960. (Accession no.: B18977485E).

The first and second storey plans as well as the longitudinal section of the River House redrawn from a 1919 Ho Ho Biscuit Factory building alteration plan. The floor plans show the sidianjin (四点金) or “four-points of gold” layout of the River House, with its two internal courtyards and a pair of huoxiang (火巷) or fire alleys on either side. The longitudinal section shows the tailiang style (抬梁式) roof truss system used for the building. The alteration plan also proposed to cover up the two internal courtyards. Drawings by Chen Jingwen.

The first and second storey plans as well as the longitudinal section of the River House redrawn from a 1919 Ho Ho Biscuit Factory building alteration plan. The floor plans show the sidianjin (四点金) or “four-points of gold” layout of the River House, with its two internal courtyards and a pair of huoxiang (火巷) or fire alleys on either side. The longitudinal section shows the tailiang style (抬梁式) roof truss system used for the building. The alteration plan also proposed to cover up the two internal courtyards. Drawings by Chen Jingwen.

Leaving a Legacy

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