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The Sticky Problem of Opium Revenue

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History

10 October 2020

At one point, half of Singapore’s annual revenue came from taxing opium. Diana S. Kim looks at how the colonial government managed to break its addiction to easy money.

Four people sit and lie around a room engaged in different activities near bottles and scattered items.

On 16 September 1952, the government in Singapore found itself in a delicate situation over the sum of $55 million. This money was sitting in the Opium Revenue Replacement Reserve Fund, an entity set up in 1925 that contained nearly 30 years’ worth of revenue collected by the British colonial authorities from legal opium sales in Singapore. It seemed reasonable, opined one member of the Legislative Council, Charles Joseph Pemberton Paglar, to spend at least part of the money raised from the drug to help those suffering from its ill effects.1

(Left) Charles Joseph Pemberton Paglar, a medical doctor and member of the Legislative Council. In 1952, he proposed using part of the Opium Revenue Replacement Reserve Fund to help opium addicts. Eric Paglar Collection, courtesy of National Archives of Singapore. (Right) Dr Chen Su Lan, as Director of the Anti-Opium Clinic and President of the Singapore Anti-Opium Society, delivered an address on the opium problem in British Malaya at the Rotary Conference held in Penang on 23 November 1934. Collection of the National Library, Singapore. (Accession no.: B02890349B).

(Left) Charles Joseph Pemberton Paglar, a medical doctor and member of the Legislative Council. In 1952, he proposed using part of the Opium Revenue Replacement Reserve Fund to help opium addicts. Eric Paglar Collection, courtesy of National Archives of Singapore. (Right) Dr Chen Su Lan, as Director of the Anti-Opium Clinic and President of the Singapore Anti-Opium Society, delivered an address on the opium problem in British Malaya at the Rotary Conference held in Penang on 23 November 1934. Collection of the National Library, Singapore. (Accession no.: B02890349B).

Opium and Colonial State Building in Singapore

A coloured zincograph print of a poppy flower and seed capsule (Papaver somniferum) by M.A. Burnett, c. 1853. This species of poppy is used to produce opium. Wellcome Collection. Attribution 4.0 International (CC BY 4.0).

A coloured zincograph print of a poppy flower and seed capsule (Papaver somniferum) by M.A. Burnett, c. 1853. This species of poppy is used to produce opium. Wellcome Collection. Attribution 4.0 International (CC BY 4.0).

Emaciated Chinese labourers smoking opium, late 19th century–early 20th century. Courtesy of the National Museum of Singapore, National Heritage Board.

Emaciated Chinese labourers smoking opium, late 19th century–early 20th century. Courtesy of the National Museum of Singapore, National Heritage Board.

Opium Revenue Reserve Replacement Fund

Managing the Fund

Old booklet with authorization text on the left and a dated purchase record form on the right, marked with handwritten notes.

An authorisation card to purchase chandu (opium) from Queen Street in 1942, during the Japanese Occupation. Chew Chang Lang Collection, courtesy of National Archives of Singapore.

In July 1952, police raids in Singapore resulted in the arrest of more than 200 opium addicts and opium den operators. The Straits Times, 8 July 1952, p. 5. Retrieved from NewspaperSG.

In July 1952, police raids in Singapore resulted in the arrest of more than 200 opium addicts and opium den operators. The Straits Times, 8 July 1952, p. 5. Retrieved from NewspaperSG.

Visitors to the Opium Treatment Centre on St John’s Island, 1957. The facility opened in 1955 to treat and rehabilitate opium addicts. Ministry of Information and the Arts Collection, courtesy of National Archives of Singapore.

Visitors to the Opium Treatment Centre on St John’s Island, 1957. The facility opened in 1955 to treat and rehabilitate opium addicts. Ministry of Information and the Arts Collection, courtesy of National Archives of Singapore.

Book cover with a red poppy flower and titled "Empires of Vice" by Diana S. Kim.
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