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The Origin Stories of Keramat Kusu

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Culture

1 January 2023

Pilgrimages to the keramat on Kusu Island have been going on since the middle of the 19th century.

The entrance to the shrine of Dato Syed Abdul Rahman before the fire, 2022. Courtesy of William Gibson.

The entrance to the shrine of Dato Syed Abdul Rahman before the fire, 2022. Courtesy of William Gibson.

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View of Kusu Island from the ferry, 2022. Courtesy of William Gibson.

View of Kusu Island from the ferry, 2022. Courtesy of William Gibson.

Shrines and Temple

The Malay caretaker placing offerings from devotees at Dato Syed Abdul Rahman’s shrine, 1970. Image reproduced from Goh Tuck Chiang, “Picnic With the Harbour Gods,” Straits Times Annual, 1 January 1970, 66–67. (From NewspaperSG).

The Malay caretaker placing offerings from devotees at Dato Syed Abdul Rahman’s shrine, 1970. Image reproduced from Goh Tuck Chiang, “Picnic With the Harbour Gods,” Straits Times Annual, 1 January 1970, 66–67. (From NewspaperSG).

The shrine of Dato Syed Abdul Rahman before the fire, 2022. The phrase “Datok Kong” was repeated no less than three times here. Courtesy of William L. Gibson.

The shrine of Dato Syed Abdul Rahman before the fire, 2022. The phrase “Datok Kong” was repeated no less than three times here. Courtesy of William L. Gibson.

The earliest known photograph of the keramat, c. 1930. The white-washed brick-and-mortar pillars seen here survived the 2022 fire. Photo by Lim Lam San (Oct 1902–Sep 1990). Collection of the National Museum of Singapore, National Heritage Board.

The earliest known photograph of the keramat, c. 1930. The white-washed brick-and-mortar pillars seen here survived the 2022 fire. Photo by Lim Lam San (Oct 1902–Sep 1990). Collection of the National Museum of Singapore, National Heritage Board.

A Chinese couple at the shrine of Dato Syed Abdul Rahman, 1990. They are standing at the same spot as the group in the c. 1930 photograph above. Ministry of Information and the Arts Collection, courtesy of National Archives of Singapore.

A Chinese couple at the shrine of Dato Syed Abdul Rahman, 1990. They are standing at the same spot as the group in the c. 1930 photograph above. Ministry of Information and the Arts Collection, courtesy of National Archives of Singapore.

The two plaques dated 1917 list the names of donors who built the shrine to “Dato Nenek Kusu” emplaced by Baba Hoe Beng Whatt, 2022. The top plaque in Jawi bears the same text as the bottom plaque in Baba Malay. The notice literally states that Dato Nenek Kusu came to his house in 1917, but the implication would be that her arrival brought a birth of a child. Ada tiba di rumah means “there arrived at the house”. Courtesy of William L. Gibson.

The two plaques dated 1917 list the names of donors who built the shrine to “Dato Nenek Kusu” emplaced by Baba Hoe Beng Whatt, 2022. The top plaque in Jawi bears the same text as the bottom plaque in Baba Malay. The notice literally states that Dato Nenek Kusu came to his house in 1917, but the implication would be that her arrival brought a birth of a child. Ada tiba di rumah means “there arrived at the house”. Courtesy of William L. Gibson.

Fishermen’s Friends

The two female shrines as seen from Dato Abdul Rahman’s shrine (stations 4 and 5 in the order of offerings) before the fire, 2022. The plaques from 1917 and 1921 could be seen embedded in the columns; the 1921 plaque was beneath the number 5. Courtesy of William L. Gibson.

The two female shrines as seen from Dato Abdul Rahman’s shrine (stations 4 and 5 in the order of offerings) before the fire, 2022. The plaques from 1917 and 1921 could be seen embedded in the columns; the 1921 plaque was beneath the number 5. Courtesy of William L. Gibson.

The tree near the keramat is adorned with ribbons, and lottery numbers are scrawled over the painted rocks, 2022. Courtesy of William L. Gibson.

The tree near the keramat is adorned with ribbons, and lottery numbers are scrawled over the painted rocks, 2022. Courtesy of William L. Gibson.

Keramat Stories

A Chinese woman hangs stones from a tree beside the keramat. Note the numerous joss sticks in the ground at the base of the tree and the white-washed columns of the shrine. Image reproduced from A.J. Anthony, “A Picnic… With the Harbour Gods,” Straits Times Annual, 1 January 1952, 26–27. (From NewspaperSG).

A Chinese woman hangs stones from a tree beside the keramat. Note the numerous joss sticks in the ground at the base of the tree and the white-washed columns of the shrine. Image reproduced from A.J. Anthony, “A Picnic… With the Harbour Gods,” Straits Times Annual, 1 January 1952, 26–27. (From NewspaperSG).

The sign above the grave of Sharifah Fatimah indicates she is the daughter of Dato Syed Abdul Rahman but also uses the phrase “datuk nenek”, which indicates a female ancestor spirit. Similar signage appeared above the grave of Nenek Ghalib, his mother. Courtesy of William L. Gibson.

The sign above the grave of Sharifah Fatimah indicates she is the daughter of Dato Syed Abdul Rahman but also uses the phrase “datuk nenek”, which indicates a female ancestor spirit. Similar signage appeared above the grave of Nenek Ghalib, his mother. Courtesy of William L. Gibson.

View of the Tua Pek Kong Temple from the keramat at the top of the hill, 1969. This was before reclamation works in the 1970s. Lim Kheng Chye Collection, courtesy of National Archives of Singapore.

View of the Tua Pek Kong Temple from the keramat at the top of the hill, 1969. This was before reclamation works in the 1970s. Lim Kheng Chye Collection, courtesy of National Archives of Singapore.

Fire and Reconstruction

The entrance to the stairs leading up to the keramat, 2022. Courtesy of William L. Gibson.

The entrance to the stairs leading up to the keramat, 2022. Courtesy of William L. Gibson.

Lottery numbers are scrawled over the painted rocks at the entrance to the keramat at the top of the stairs, 2022. Courtesy of William L. Gibson.

Lottery numbers are scrawled over the painted rocks at the entrance to the keramat at the top of the stairs, 2022. Courtesy of William L. Gibson.

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The rebuilt shrine of Dato Syed Abdul Rahman after the fire, 2022. Courtesy of William L. Gibson.

The rebuilt shrine of Dato Syed Abdul Rahman after the fire, 2022. Courtesy of William L. Gibson.

The rebuilt shrine of Nenek Ghalib after the fire, 2022. Courtesy of William L. Gibson.

The rebuilt shrine of Nenek Ghalib after the fire, 2022. Courtesy of William L. Gibson.

The fire revealed previously hidden artefacts. At the back of the altars for the two women are stone mounds commonly seen in datuk nature shrines. Courtesy of William L. Gibson.

The fire revealed previously hidden artefacts. At the back of the altars for the two women are stone mounds commonly seen in datuk nature shrines. Courtesy of William L. Gibson.

Endnotes
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